Hollywood studios plan to put writers ‘bankrupt’ before resuming talks

Whether or not SAG-AFTRA decides to go on strike this week, the studios are not planning to sit down and negotiate with the striking writers union, Deadline reports. US membership is “a few months away”. “I think we’re going to have a long strike and they’re going to bleed the strike,” an insider close to the studio’s CEO reportedly said.

The studios wrongly and grimly thought that financially struggling screenwriters might turn to WGA leadership, urging them to resume negotiations with studios and streamers, especially with the holidays looming. In this case, studios and anchors believe they will wield enormous sway in determining most of the terms of any potential deal. “The end result was to keep things dragging on until union members started losing their apartments and houses,” a studio executive told Deadline. Multiple sources admitted their actions were despicable and corroborated the tactic. One insider even called it a “cruel but necessary evil”.

While the writers’ strike has halted the production of countless films around the world, filming on specific projects continues and scripts are completed. However, if the casting department decides to go on strike, production must come to a complete halt regardless of the writer’s status. Studios place far more importance on actors than writers, as evidenced by their choice to prioritize “celebrity faces” over the pen behind what they say in front of the camera.

Writers Strike wga-sag-aftra-fran-drescher-social feature
Image via SAG-AFTRA

RELATED: Everything you need to know about the looming SAG strike

Burning your own money to prove a wrong point

Despite the fact that they have lost immeasurable fortunes, the studios still refuse to work properly with the writers and refuse to pay the writers their fair share, their ultimate act of obstinacy is to cut off the nose to ruin a person’s personality. Face. The huge amount of money lost was more than enough to cover the costs that the writers were demanding, but the need to maintain “control” led to the industry’s looming closure. The studios didn’t appreciate it, and many writers had anticipated the prospect of a strike for some time and were ready to undercut the conveyor belt of entertainment from Hollywood in order to get what they deserved.

Since the picketing began, studio heads have offered some shallow platitudes and light praise to the striker writers, while those around them have told them how badly they’ve done without offering anything to make the strike end, even There was no proposal to sit down and start a strike. negotiation. While the new deal under SAG-AFTRA won’t necessarily lead to a resumption of production, it could provide actors with the opportunity to promote projects already planned for release.

To read more about why SAG-AFTRA is on the brink of strike, visit this link. For information on the WGA strike, please visit this link.

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